A conversation with photographer Paulette Tavormina about her stunning, moody still lifes shot in the style of Old Master painters. She discussed learning the importance of authentic detail while making movie props (such as recreating Nixon’s resignation letter), why it can take as long as a week to stage a single photograph, the differences between painting and photographing the same scene, and the surprising satisfaction of social media as a venue to show her work.
Paulette began her career photographing works of art for a major auction house and working as a Hollywood food and prop stylist. Her own fine art photos have been shown across Europe and the United States, and her first solo museum show is this year at the Academy Art Museum in Maryland and travels to Notre Dame University’s Snite Museum of Art later this year. Her book of still life photographs, Seizing Beauty, was recently published by Monacelli Press.
Listen to the full interview:
(Recorded June 21, 2016)
The complete series of conversations is available at The Work of Art. You can subscribe to future interview episodes via RSS, iTunes or email.